Accumulation Dubs, by Coppice Halifax

Accumulation Dubs

by Coppice Halifax

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alternating.bit Brooding darkness, entering the mind of a serial killer wandering wet, dimly lit streets on a cold summer night. Ok, well at the very least this is some sweet dark ambient dub techno that is both soothing and slightly disturbing if you dig deep enough into your sonic mind palace when listening. Highly recommend.

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Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of Raft and River [Tenth Anniversary Compleat], Deep Earth: Year Six Compleat, Deep Earth: Year Five Compleat, Leaf Cloak [Tenth Anniversary Compleat], Cmx [Volumes VIII-XV], Sunworn, Cmx XV, Blue Cloak, and 484 more. , and , .

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Packaged in a windowed white or black paperboard jacket, with a hand-cut 4x5" glossy photographic print insert, custom text sticker work and an in-house duplicated/printed white recordable 5" disc.

Includes unlimited streaming of Accumulation Dubs via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

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	1.	Visual Phase I 10:24
	2.	Visual Phase II 15:50
	3.	Visual Phase III 19:14
	4.	Visual Phase IV 24:05

about

In classic dub fashion, Accumulation Dubs revisits session recordings for the Deep Earth recording Amaso (which translates to "accumulation" in Esperanto) and transfigures the material (via further processing and selective overdubbing/erasing/replacing) into four deep dubbed out excursions. Starting with abandoned alternate takes of the original Amaso, which was created almost entirely with the Korg MS-20 monophonic analog synthesizer, Accumulation re-processes Amaso's chord structures and rhythmic pulses with Moog and Digitech filters, as well as utilizing the MS-20's external signal processor to further color and reiterate Amaso's tonal profile. Taking influence from Stephen Hitchell's untouchable Intrusion project, as well as Pole's first three LPs and Rhythm & Sound's first few twelves, Accumulation Dubs visits a not often explored reggae-informed dub techno side of the machines and processors I regularly use. It's a slow, heavy and sexy album, perfect for night drives (intimate or solo), or mellow evenings inside, while thunderstorms rumble over the Miami River valley.

credits

released July 26, 2018

W/P by Brian Grainger. Recorded at White Pillar Workshop, Summer 2018. Composted and transfigured via Korg MS-20 analog monosynth, Korg Volca Bass analog monosynth, Korg Volca Keys analog polysynth, Korg Volca Sample, Korg Volca Beats, Arturia Microbrute analog monosynth, Grass C-TCM, Roland SH-32 digital polysynth, Yamaha RY-20, channeled thru the veins of a Peavey FX2x24 mixing board, augmented with the following outboard FX: Boss RV-3/SL-20, Synthrotek PT2399, Pioneer SR202W, Alesis Quadraverb, BBE Two Timer, Ibanez PM7, Moog LPF/Ringmod/MIDI MuRF & Digitech Synth Wah. Mastered by The Analog Botanist (www.analogbotany.com). Text and photography by ABM&D. This is Milieu Music number ABX85.

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about

Coppice Halifax Dayton, Ohio

Analog Botany, since 2005.12.08. Impressionist techno and bedroom fantasist electronics. Compost instead of composition.

I also release music as Milieu: milieumusic.bandcamp.com

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