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Softwater Pinwheel

by Coppice Halifax

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Μaπ Β
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Μaπ Β Totally addicted to Softwater Dub! 11 minutes felt like just a few Favorite track: Softwater Dub.
no-nonsense
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no-nonsense Atmospheric tracks built from the repetition of a basic chord pattern, to which different elements are added gradually. A deep & dubby set. Favorite track: Floodwater Dub.
Lovdahl, Ian
Lovdahl, Ian thumbnail
Lovdahl, Ian another CH classic, one of my favorites. Favorite track: Softwater Dub.
da5idh
da5idh thumbnail
da5idh Oh you know it. Aesthetic ambient drift. Dub styling. plumbing the bassic channel , tracking the groove. this is music to get you limbic, horizontal and low rolling.
Favorite track: Floodwater Dub.
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  • Limited Edition Compact Disc-Recordable
    Compact Disc (CD) + Digital Album

    Assembled by hand, one copy at a time, in the White Pillar Workshop. A white 5" recordable disc, printed and duplicated via an Imation D20, held inside a white/black die cut cardboard jacket with a 4x5" glossy photographic print insert and a white/purple/orange/black text label on the back cover. Ships inside a clear cast-polypropylene sleeve with a flap to keep your new sonic artifact dust and moisture free.

    Includes unlimited streaming of Softwater Pinwheel via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

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1.
Clouds Thick With Tears Weeping Above The Drowsing Earth
2.
Reflections In A Rippling Lake Surrounded By Flowers
3.
Rurals In Pastels Resonate Across A Colorwheel Pastorale
4.

about

SOFTWATER PINWHEEL is a four-track extended play, plucked from the archives and mastered for a proper release. Four versions of the same piece, initially created using a Yamaha QY-70 in tandem with several other key pieces of hardware, including Korg ER-1 and Boss DR-550/660 drum machines, the Korg ES-1 sampler and a small array of Volca synthesizers, such as the Keys analog polysynth (which I no longer possess) and the Bass analog mono. Altogether, SOFTWATER recalls extended singles such as MARAIS, JEL GUN and aspects of the ANALOG BOTANY series. It conveys a subdued atmosphere of dub chords and spaced-out synth accompaniment over heavy subharmonic bass and rhythms that alternate between a Voigt-esque schaffel and a more precise minimal techno attitude. The first two tracks were recorded in January 2016, in the Botany Bay studio, while the third and fourth tracks were alternate approaches to the same pieces, laid to tape in 2017 after relocating to the White Pillar Workshop in Ohio. Special thanks is owed to Atoll Intercom Systems, who not only designed the beautiful and evocative cover image used here, but also assisted in the arrangement and final sequencing of this release.

credits

released March 5, 2021

W/P by Brian Grainger. #1-2 recorded at Botany Bay, January 2016. #3-4 recorded at White Pillar, Summer 2017. Mastered by The Analog Botanist at White Pillar, March 2021. Photograph, design and sequencing assistance by Atoll Intercom Systems. This is Milieu Music number ABX117. milieu-music.com analogbotany.com

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about

Coppice Halifax Dayton, Ohio

Analog Botany, since 2005.12.08. Impressionist techno and bedroom fantasist electronics. Compost instead of composition.

I also release music as Milieu: milieumusic.bandcamp.com

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