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White Pillar VI

by Coppice Halifax

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    Packaged in a windowed white cardboard jacket, with a glossy black and white photographic print insert, custom text sticker work and an in-house duplicated/printed white disc.

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Pillar VI.a 06:32
Pillar VI.c 08:05


White Pillar VI is the sixth of a multi-part series, intended to both document and transfigure the sonic ephemera from the White Pillar Workshop's surrounding area - a valley in southern Ohio, near such things as a USAF base, NASA and the Serpent Mound, the largest serpent effigy in the world, which dates back to 300 BCE. These locations and several others factor heavily into what populates the airwaves and frequency bands of many types, and the White Pillar series exists to isolate such bands and transmute them into something musically affecting. As such, it is fitting that this recording and those that follow it bear the namesake of the new studio, christening it publicly and properly, and looking ever forward to the future.

This sixth volume was recorded live using a 95% analog rig, including Korg Volca Beats/Bass/Keys, a Nintendo 3DS XL, a BBE Two Timer delay, a Nady MM14-FX delay mixer, the Alesis Quadraverb, a Pioneer spring reverb box and a Peavey FX2 mixing desk.


released July 5, 2017

W/P by Brian Grainger. Recorded live at White Pillar Workshop, Spring 2017. Mastered by The Analog Botanist. This is Milieu Music number WPW006. Photography by Brian at Rolling Knoll, Summer 2016.


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Coppice Halifax Dayton, Ohio

Analog Botany, since 2005.12.08. Impressionist techno and bedroom fantasist electronics. Compost instead of composition.

I also release music as Milieu:

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